This page displays some of the Paul Jenkins pieces that we've handled over the many years that we've been in business. If you're interested in acquiring or selling a piece similar to one of these, please don't hesitate to let us know.
Paul Jenkins played a significant role in the development of global post-war art. Considered an integral participant in the Abstract Expressionist movement in New York and the L’Art Informel movement in Paris, his work also contributed to the color field movement.
Born in 1923 in Kansas City, Missouri, Jenkins studied with Yasuo Kuniyoshi at the Art Students League of New York. After graduating, he traveled throughout Europe and presented his first solo exhibition at Studio Paul Facchetti in Paris. His work gained global notoriety throughout the remainder of the 1950s, with solo shows at galleries in Seattle and New York. The Whitney Museum of American Art purchased an original work for their permanent collection in 1956, and Peggy Guggenheim, arguably the world's best-known art collector purchased one of his works in 1959.
In the 1950s, Jenkins primarily worked with oil on canvas before progressing to acrylic in the 1960s. The 60s were also a time of great innovation in technique. Jenkins began using an ivory knife and further developed his method of priming the canvas. Both methods helped him create very sharp lines of delineation and translucent veils of color which would come to define his signature style. More than anything, Jenkins is renowned for his control of the paint and mastery of color. The Abstract Expressionist movement is often defined by the techniques used over the finished product of the artwork, but Jenkins drew from a range of contemporary influences that allowed his artwork to simultaneously showcase both the process and the finished product.
The 1970s and 80s saw an expansion of Paul Jenkins' artistic vocabulary. Although he had explored sculpture throughout his career, it became a focal point during the 1970s and 80s. Primarily rendered in steel and bronze, the sculptures are often more lifelike and literal than his paintings. Jenkins continued to work until he passed away in 2012. His artwork has been exhibited in numerous prominent global museum, including the Museum of Modern Art in New York, the Smithsonian American Art Museum in Washington D.C., the Tate Museum in London, and the Centre Georges Pompidou in Paris.
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