Artist: Frederick Hart
Title: Songs of Grace: Hope
Size: 25” x 16" x 15"
Edition: 375 Signed and Numbered, 75 Artists Proofs (Roman Numeraled), A-T Collaborator's Proofs
Inscription: Signed, numbered, and dated on bottom
Condition: Museum Quality
The graceful lines of the body and the windswept details of Frederick Hart’s “Songs of Grace: Hope” are exactly the type of lifelike movement we’ve come to expect from the artist’s sculptures. The choice of lucite as a medium adds a light quality to the work that aids in the feeling of movement Hart is able to convey. Frederick Hart’s work is known for exploring complex themes, including spirituality, beauty, and identity, all of which are brought to the surface in this work. Frederik Hart's "Songs of Grace: Hope” Lucite sculpture is signed, dated, and numbered on the bottom and comes with a certificate of authenticity from Modern Artifact. The piece comes in its original packing from Frederick Hart Studios.
As one of America’s greatest representational artists, Frederick Hart left a lasting and unique mark in the world of modern sculpture. Born in Atlanta, Georgia in 1943, he studied at the University of South Carolina and after protesting alongside black students during the Civil rights movement, he moved to Washington D.C. to continue his studies at the Corcoran School of Art. Fascinated with the human figure and the classical approach, he started developing his career in 1966 as a stone carver apprentice at the National Cathedral in Washington D.C. Leaving the Cathedral in 1971, Hart started his own studio practice but had little success in the first years. In 1974, he was awarded the project by the Cathedral to create a contemporary interpretation of The Creation, an event that would change his life. Soon, Hart’s career took a turn for the better and in the upcoming decades, he rose to national prominence, becoming a government art advisor in 1985 and receiving the prestigious Henry Hering Award from the National Sculpture Society in 1987.
Best known for his architectural public sculpture work, Frederick Hart remained loyal to the figurative art, speaking very critically of abstract and similar art movements. He was the voice of moral responsibility among artists and the propagator of the classical aesthetic notions in art, representing the group of like-minded artists called “The Centerists”. "My work isn't art for art's sake, it's about life. I have no patience with obscure or unintelligible art - I want to be understood," he used to say, alluding to the higher aspirations and clear message his art delivered. Frederick Hart’s works are celebrated for their beauty and flawless execution, always in movement, layered with emotion, often depicting a form of religious trance or heightened state of awareness. With strong religious undertones, they can be seen as universal allegories, so rare, yet necessary in contemporary life and art.
Despite his traditional views on the artistic substance, Hart was a pioneer in the use of transparent acrylic resin in the creation of figurative sculptures. He patented a process of embedding one sculpture inside another, an innovative method that was not characteristic for religious (or other) sculpture until that time.
Hart died on August 13, 1999, in Baltimore, Maryland.