Rufino Tamayo Hombre Con Baston Signed Mixographia Edition of 100

Artist: Rufino Tamayo
Title: Hombre Con Baston
Year: C. 1970s
Medium: Mixographia
Edition: 69/100
Inscription: Signed and numbered on bottom front
Paper Size: 36" x 28"
Documentation: Includes Gallery Certificate of Authenticity

"Hombre Con Baston" exemplifies Rufino Tamayo's mature exploration of figuration, abstraction, and the expressive potential of color and texture. Executed in Mixographia, a printmaking technique notable for its ability to capture nuanced surfaces and relief-like textures, this work demonstrates Tamayo's mastery of the medium and his innovative approach to printmaking.

Measuring 36" x 28" on paper, "Hombre Con Baston" presents a singular figure whose formal simplicity belies a complex interplay of abstraction and human presence. Tamayo's characteristic palette and compositional restraint are evident, emphasizing the tactile qualities of the Mixographia medium while reinforcing the symbolic weight of the subject. The figure, depicted with a cane, evokes universal themes of aging, dignity, and introspection, consistent with Tamayo's interest in human experience and emotional resonance.

Created during the 1970s, a period in which Tamayo refined his synthesis of modernist abstraction and Mexican cultural references, this work reflects the artist's ongoing dialogue with both European modernist currents and indigenous Mexican artistic traditions. "Hombre Con Baston" exemplifies Tamayo's commitment to a visual language that is simultaneously modern, expressive, and culturally rooted, making it a significant representation of his enduring contribution to 20th-century Mexican art.

The piece is signed and numbered 69/100 on the bottom front, and retains its original gallery label on the verso, accompanied by a certificate of authenticity, underscoring its provenance and significance within the artist's print oeuvre.

About Rufino Tamayo

Rufino Tamayo was a pioneering Mexican modernist painter, printmaker, and muralist whose innovative work bridged European modernism and Mexican artistic traditions. Born in Oaxaca, Mexico, Tamayo demonstrated an early interest in art, studying at the Escuela Nacional de Bellas Artes in Mexico City. Unlike his contemporaries in the Mexican muralist movement, Tamayo rejected overtly political themes, instead focusing on universal human experiences, cultural identity, and the expressive potential of color and form.

Tamayo's work is distinguished by its vibrant use of color, bold compositions, and a unique synthesis of abstraction and figuration. Drawing inspiration from pre-Columbian art, indigenous Mexican culture, and European modernist movements such as Cubism, Surrealism, and Fauvism, he developed a visual language that is simultaneously modern and deeply rooted in Mexican heritage. Over his career, Tamayo created paintings, murals, lithographs, and sculptures that explored themes of humanity, mortality, and the metaphysical, all while maintaining an accessible and emotionally resonant aesthetic.

He gained international recognition in the mid-20th century, exhibiting widely in Europe and the United States. His work is included in major public and private collections worldwide, including the Museum of Modern Art in New York, the Art Institute of Chicago, and the Museo Rufino Tamayo in Mexico City, which he helped establish to preserve and promote modern and contemporary Mexican art. Tamayo's legacy also includes his contributions to printmaking, particularly lithography and serigraphy, where he combined technical precision with expressive abstraction.

Rufino Tamayo's artistic approach emphasized color as a primary vehicle for emotion and meaning, setting him apart from his contemporaries and influencing generations of Latin American and international artists. His work continues to be celebrated for its timeless balance of formal innovation, cultural resonance, and humanistic expression, solidifying his position as one of the most important figures in 20th-century Mexican art.