David Shrigley Fight Your Paranoia 2022 Signed Original Acrylic Painting

Artist: David Shrigley
Title: Fight Your Paranoia
Medium:  Original Acrylic Painting on Fabriano Paper
Size: 30" x 22.25"
Year: 2022
Inscription: Initialed and dated in pencil "DS 2022" on verso
Documentation: Includes gallery certificate of authenticity from Modern Artifact

David Shrigley's "Fight Your Paranoia" (2022), presents a direct and emblematic image that encapsulates the artist's characteristic balance of humor, urgency, and psychological insight. Executed in acrylic on Fabriano paper, the composition centers on a raised clenched fist rendered in broad, confident strokes of pink and red against a light ground, framed by a bold blue border. Sparse handwritten text, placed near the top and lower edge of the sheet, completes the phrase that gives the work its title, functioning simultaneously as instruction, encouragement, and ironic commentary.

Shrigley's deliberately unrefined line and flat application of color resist traditional notions of painterly finish, instead emphasizing immediacy and conceptual clarity. The raised fist, a familiar symbol of resistance and empowerment, is presented without narrative context, allowing its meaning to remain open and contingent. Paired with the phrase 'Fight Your Paranoia', the image oscillates between sincerity and skepticism, reflecting Shrigley's ongoing interest in the contradictions of modern emotional life and the difficulty of self reassurance.

Created during the later phase of the artist's career, "Fight Your Paranoia" demonstrates Shrigley's continued commitment to accessibility and direct communication while sustaining intellectual depth. Initialed and dated "DS 2022" on the verso, the work is accompanied by a gallery certificate of authenticity from Modern Artifact. It stands as a concise yet resonant example of Shrigley's ability to transform minimal visual means into a pointed reflection on anxiety, self awareness, and contemporary psychological experience.

About David Shrigley

David Shrigley (born 1968) is a British contemporary artist whose work is widely recognized for its deadpan humor, deceptively simple visual language, and incisive engagement with everyday anxieties, social conventions, and existential concerns. Born in Macclesfield, England, and raised in rural Scotland, Shrigley developed an early interest in drawing as a means of communication rather than formal representation. This sensibility has remained central to his practice, which deliberately resists traditional notions of refinement or technical virtuosity.

Shrigley studied environmental art at the Glasgow School of Art, graduating in 1991. Emerging from the influential Glasgow art scene of the late twentieth century, he distinguished himself through a highly personal approach that emphasized immediacy, wit, and conceptual clarity. His early works, often rendered in intentionally awkward line drawings paired with handwritten text, challenged the hierarchy between high art and everyday visual culture. Rather than polish or embellish, Shrigley embraced imperfection as a means of direct expression.

Working across a wide range of media, including drawing, printmaking, sculpture, animation, installation, and public art, Shrigley has developed a distinctive artistic language that is instantly recognizable. His drawings frequently combine sparse imagery with short, declarative phrases that oscillate between the absurd and the unsettling. These works address themes such as mortality, loneliness, frustration, and the arbitrariness of social norms, often using humor as a way to disarm the viewer while prompting deeper reflection.

Shrigley's sculptural works extend these concerns into three dimensions, transforming mundane objects or simplified forms into vehicles for irony and commentary. His public art projects, including large scale commissions and interventions in urban space, have further expanded his audience while maintaining the same conceptual rigor found in his works on paper. In 2016, his sculpture Really Good was installed on London's Fourth Plinth in Trafalgar Square, marking a significant moment in his career and underscoring his relevance within contemporary public discourse.

David Shrigley has exhibited extensively in museums and galleries worldwide, and his work is held in major institutional collections. He was nominated for the Turner Prize in 2013, further cementing his position within the canon of contemporary British art. In addition to visual art, Shrigley has published numerous artist books and collaborated on animated films and music projects, reinforcing the interdisciplinary nature of his practice.

Today, David Shrigley is widely regarded as one of the most influential artists of his generation. His ability to balance accessibility with intellectual depth has made his work resonate with both general audiences and scholars, ensuring his lasting impact on contemporary art and visual culture.