Artist: Richard Serra
Title: Heimaey II
Medium: Etching on Fabriano Murillo
Image Size: 16.75" h x 17.75" w
Sheet Size: 23.5" h x 24.25" w
Edition: 13/49, published by Gemini G.E.L., Los Angeles
Inscription: Signed, numbered, and dated on front lower margin with artist and publisher blindstamps
Year: 1991
Documentation: Gallery Certificate of Authenticity (full record of provenance)
Literature: Gemini 1550
"Heimaey II" exemplifies Richard Serra's sustained exploration of form, space, and material presence. The composition presents a bold, abstract black shape against a crisp white background, creating a striking tension between positive and negative space. Its minimalist design invites viewers to engage with the balance and ambiguity inherent in the form, reflecting Serra's broader investigation of physicality and spatial relationships.
Though seemingly simple, the etching conveys a powerful sense of mass and volume, encouraging contemplation of presence and absence. This focus on reductive shapes and spatial dynamics is central to Serra's artistic practice.
"Heimaey II" was created in 1991 as part of a limited edition of 49 prints on Fabriano Murillo paper. The image measures 16.75 by 17.75 inches, with the full sheet sized at 23.5 by 24.25 inches. This example, etching number 13, was printed by Gemini G.E.L., a distinguished Los Angeles-based print publisher.
The piece is signed, numbered, and dated by the artist in the lower margin and bears blindstamps authenticating both Serra and Gemini G.E.L. Accompanied by a gallery certificate of authenticity and full provenance, "Heimaey II" is referenced in relevant literature as Gemini 1550. It distills Serra's sculptural concerns into the intimate scale of printmaking, offering a refined study of form and space from the early 1990s.
Note: This piece currently not framed, the images depicting it with a frame are mockups to give you an idea of how it might look when framed.
About Richard Serra
Richard Serra (1938–2024) was a pioneering American artist whose prolific career spanned over six decades and encompassed a diverse range of media, including sculpture, drawing, painting, and printmaking. While Serra is perhaps most widely known for his monumental steel sculptures, his contributions to painting and works on paper form a substantial and deeply important part of his artistic legacy.
Born in San Francisco in 1938, Serra studied English literature at the University of California, Berkeley and Santa Barbara before turning his attention to art. He received both BFA and MFA degrees from Yale University, where he studied alongside artists such as Chuck Close and Brice Marden. During this formative period, Serra developed a foundation in drawing and printmaking, media he would continue to explore throughout his life.
Serra's early work was informed by Minimalism, but he quickly established a distinctive voice within postwar American art. His sculptural practice, rooted in materiality, space, and process, would come to define a new understanding of site-specific installation. However, parallel to this public-facing work, Serra also maintained a rigorous studio practice centered on painting, drawing, and printmaking. His two-dimensional works are not ancillary to his sculpture—they are vital and autonomous expressions of his ideas.
In particular, Serra's works on paper, especially his richly textured paintstick drawings and prints, explore concepts of weight, density, and presence. These works are typically large in scale and executed with layers of black pigment that give them a tactile, almost sculptural quality. Rather than representing objects or landscapes, they are abstract compositions that challenge the viewer's spatial perception. His paintings and prints emphasize the experience of material and surface, using repetition, gesture, and intensity of form to create visual fields that are immersive and physically resonant.
Printmaking became a central part of Serra's output beginning in the 1970s, and he collaborated extensively with esteemed workshops such as Gemini G.E.L. and Tyler Graphics. His prints often employ techniques such as etching, aquatint, and screenprint, pushing the boundaries of what could be achieved in the medium. The resulting works share the same qualities of tension, mass, and depth that characterize his sculpture, but with a uniquely intimate scale and directness.
Throughout his career, Serra's work was exhibited widely and collected by major institutions, including the Museum of Modern Art, the Whitney Museum of American Art, and the Tate Modern. He represented the United States at Documenta and the Venice Biennale and received numerous honors, including the Chevalier de l'Ordre des Arts et des Lettres and the Praemium Imperiale for Sculpture.
Despite the large scale of many of his most visible works, Serra approached all media—from steel to etching plates—with the same disciplined, process-driven rigor. His paintings and prints are not simply studies or extensions of his sculptures but fully realized works that reflect a deep engagement with the act of making and the physical properties of materials.
Richard Serra passed away in 2024 at the age of 85. His legacy endures not only in the public sculptures that define cityscapes and landscapes across the globe but also in the powerful, abstract surfaces of his works on paper and canvas. These quieter, studio-based pieces continue to offer a compelling entry point into his ideas and underscore his importance as a multidisciplinary artist of lasting influence.
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