Artist: Peter Max
Title: United We Stand II
Medium: Mixed Media on Paper
Artwork Dimensions: 24" x 18"
Frame Dimensions: 38" x 32" x 2"
Year: 2005
Inscription: Signed "Max" on front
Documentation: Peter Max Registration # 55866.0939; includes gallery certificate of authenticity from Modern Artifact and
Peter Max's "United We Stand II" exemplifies the artist's signature fusion of vibrant color, expressive linework, and enduring patriotic imagery. Created in 2005, this mixed media work on paper reflects Max's lifelong engagement with themes of unity, peace, and national identity. Through his distinct Pop Art lens, Max transforms the American flag and Statue of Liberty into dynamic symbols of hope and collective strength.
Rendered in his hallmark palette of saturated reds, brilliant blues, and radiant yellows, "United We Stand II" captures both the emotional resonance and visual rhythm that define Max's celebrated aesthetic. The composition pulses with movement—bold brushstrokes and gestural forms merging to evoke a sense of optimism and vitality. While rooted in American iconography, Max's approach transcends politics, presenting patriotism as an expression of shared humanity and creative freedom.
Throughout his career, Peter Max has revisited the American flag and the Statue of Liberty as central motifs, imbuing them with renewed energy and contemporary meaning. In "United We Stand II", the familiar emblem is reinterpreted through Max's expressive abstraction, its contours softened by luminous color transitions and painterly texture. The result is both timeless and unmistakably modern—a visual anthem to national spirit rendered with the exuberance that has made Max one of the most recognizable artists of the late twentieth and early twenty-first centuries.
Accompanied by official registration documentation (#55866.0939) and a Gallery Certificate of Authenticity from Modern Artifact, "United We Stand II" stands as a quintessential example of Peter Max's ongoing exploration of art as a unifying and celebratory force.
About Peter Max
Peter Max (American, b. 1937) is a German-born American artist celebrated for his pioneering role in the Pop Art and psychedelic art movements of the 1960s and 1970s. Known for his bold color palette, cosmic imagery, and instantly recognizable graphic style, Max transformed commercial art and fine art alike through his vibrant depictions of optimism, peace, and popular culture. His multidisciplinary approach—spanning painting, printmaking, sculpture, and design—has made him one of the most prolific and influential artists in modern American art.
Born in Berlin and raised in Shanghai, Haifa, and later Brooklyn, Peter Max's early life exposed him to a global range of artistic influences, from Asian calligraphy to European Expressionism. He studied at the Art Students League of New York, where he developed his distinctive fusion of expressive linework, saturated color, and symbolic motifs. By the late 1960s, Max had emerged as one of the defining visual voices of his generation. His art became synonymous with the countercultural spirit of the era—appearing on posters, album covers, and magazine illustrations that celebrated peace, love, and cosmic exploration.
Max's work often features radiant suns, celestial landscapes, and silhouettes rendered in vivid, fluorescent hues. His compositions evoke both surrealism and graphic design, balancing painterly freedom with crisp, pop-inflected structure. Throughout his career, Max has maintained a deep interest in themes of spirituality, nature, and human potential, translating universal concepts into accessible visual forms.
In addition to his studio practice, Peter Max has produced numerous high-profile commissions, including posters for the Grammy Awards, the Super Bowl, and the U.S. Postal Service. His reinterpretations of the American flag and Statue of Liberty have become enduring symbols of national identity reimagined through Pop Art's lens.
Today, Peter Max's original paintings, signed limited editions, and mixed media works continue to be collected by museums, corporations, and private collectors worldwide. His art remains emblematic of late twentieth-century American visual culture—bridging the gap between commercial design and fine art, and celebrating the power of color as a universal language of joy and expression.
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