Peter Max Signed Jumper Mixed Media Original Painting Over Lithograph

Artist: Peter Max
Title: Jumper
Medium: Mixed Media on Paper
Size: 17" x 13"
Year: c. 2000-2010
Inscription: Signed "Max" on front
Documentation: Includes gallery certificate of authenticity, label on verso
Peter Max Studio Registration number: Reg #: 158287

Peter Max's "Jumper" presents a vivid example of the artist's expressive approach to color, form, and iconic imagery during the early twenty first century. The work reflects Max's ongoing interest in translating familiar subjects into dynamic visual statements that merge popular symbols with painterly spontaneity. Here, Max positions his signature Jumper figure at the center of the composition, treating the motif not as a static silhouette but as a lively presence animated through bold lines and rhythmic movement.

The composition is visually anchored by the Jumper icon, enclosed within a rectangular central frame that establishes a strong focal point. Surrounding this inner form is a radiant border composed of orange, yellow, and green, applied with sweeping strokes that convey a sense of energy expanding outward. The chromatic intensity of this border, along with the layered pigments visible across the surface, demonstrates Max's ability to unify graphic clarity with painterly texture. Thick acrylic brushstrokes from the artist's hand contribute to the physical depth of the work and reveal a more tactile process than often associated with his mechanically reproduced Pop era imagery.

The work measures 17 inches by 13 inches and is signed "Max" on the front. It bears Peter Max Studio Registration Number 158287, and is accompanied by a gallery certificate of authenticity and a label on the verso, ensuring documentation and provenance. The piece is currently unframed. Any framed examples shown in photographs are provided only as visual inspiration, and collectors are encouraged to inquire if they wish to explore framing options tailored to their preference.

"Jumper" stands as a notable example of Max's ability to balance familiar iconography with vivid experimentation, offering a composition where color and gesture work together to create an image that resonates beyond its subject.

About Peter Max

Peter Max (born October 19, 1937, Berlin, Germany) is a German born American artist whose work has played a defining role in shaping the visual identity of postwar American culture. Widely associated with the vibrant aesthetics of the 1960s, Max is known for his bold use of color, cosmic imagery, and synthesis of fine art traditions with popular culture. His career spans more than six decades and encompasses painting, printmaking, sculpture, and public art.

Max's early life was marked by geographic and cultural movement that would later inform his expansive visual language. After leaving Germany during World War II, his family lived in Shanghai, where Max was exposed to Eastern philosophy, calligraphy, and symbolism. They later relocated to Israel, where he studied painting in Haifa before continuing his formal training in Paris at the Académie de la Grande Chaumiere. In 1958, Max moved to New York City, immersing himself in the city's dynamic postwar art scene.

During the 1960s, Peter Max emerged as a prominent figure within the counterculture movement. His imagery, characterized by radiant color fields, flowing contours, and celestial motifs, became emblematic of an era defined by experimentation, idealism, and social change. While often associated with Pop Art, Max's work diverges from the movement's ironic stance, instead embracing themes of spirituality, imagination, and transcendence.

Throughout his career, Max has worked primarily in acrylic paint, a medium well suited to his saturated palette and layered compositions. His paintings frequently feature abstracted figures, symbolic portraits, and reinterpretations of cultural icons. Notably, Max's repeated engagement with the Statue of Liberty reflects his interest in American identity and democratic ideals, viewed through a personal and expressive lens.

In addition to his studio practice, Peter Max has completed numerous commissions and large scale public works. His art has been exhibited internationally and is held in major museum and private collections. Max's influence extends beyond traditional gallery spaces, as his work has appeared across media, reinforcing his role in bridging fine art and popular visual culture.

Peter Max remains a significant figure in contemporary American art. His enduring appeal lies in his ability to communicate optimism and creative freedom through a highly recognizable visual language, securing his legacy as one of the most influential artists of his generation.