Artist: Peter Max
Title: 76 Jumper
Medium: Color Serigraph on Paper
Dimensions: 26" x 36.5"
Year: 1975
Edition: 30/75
Inscription: Signed "Max" on lower front
Documentation: Includes Gallery Certificate of Authenticity
Vibrant and unmistakably Max, "76 Jumper" exemplifies Peter Max's signature fusion of psychedelic color, surrealist whimsy, and symbolic narrative. Created in 1975, this hand-signed serigraph is part of a limited edition of 75 and reflects the artist's bold visual language developed during the height of his Pop Art acclaim.
Rendered in electric hues with graphic clarity, the scene unfolds in a dreamlike landscape where stylized figures and flowing forms coexist in a world that feels both theatrical and mythic. The central figure appears mid-motion, suspended in space and time, embodying Max's fascination with movement, spirit, and transcendence.
The composition features carefully layered planes of saturated color and precise line work, echoing the cultural energy of the 1970s while rooted in Max's continued exploration of peace, personal freedom, and cosmic wonder. This piece, like others from the same series, reflects his ability to merge figurative storytelling with abstract design, all while celebrating his signature American optimism.
"76 Jumper" is signed by the artist on the lower front and is accompanied by a gallery certificate of authenticity. Its scale and color-rich surface make it an iconic addition to any collection of Pop Art or 20th-century American printmaking.
About Peter Max
Peter Max (b. 1937) is a German-American artist whose bold, colorful work helped define the visual language of American pop culture in the 1960s and beyond. Known for his vibrant palette, cosmic imagery, and blend of countercultural optimism and commercial appeal, Max has enjoyed a prolific career spanning over six decades.
Born in Berlin, Max and his family fled Nazi Germany in 1938, eventually settling in Shanghai, China, where he spent much of his childhood surrounded by Eastern calligraphy, vibrant street life, and artful architecture. These early experiences with color, form, and multicultural aesthetics would profoundly influence his later work. After living in Israel and Paris, the family moved to Brooklyn, New York, where Max studied at the Art Students League under Frank J. Reilly, immersing himself in classical training while also absorbing the emerging styles of Abstract Expressionism and Pop Art.
In the 1960s, Max rose to prominence with his psychedelic, poster-like art that captured the mood of the era. His use of intense colors, flowing forms, and recurring motifs like celestial bodies, flowers, and peace symbols aligned him with the era's optimism and fascination with mysticism and space. His art was instantly recognizable and widely reproduced—appearing in everything from album covers and postage stamps to ad campaigns and television.
Though closely associated with the counterculture, Max maintained a rare ability to bridge the gap between fine art and mass media. In the 1970s, he became a household name, working on official posters for the World Expo, U.S. Bicentennial, and various environmental and humanitarian causes. His commissions ranged from portraits of world leaders to hand-painted pianos and even a Boeing 777 jet for Continental Airlines.
Max's creative practice has remained deeply rooted in American iconography, though often reimagined through a dreamy, surreal lens. From his portraits of the Statue of Liberty to his reinterpretations of American presidents and flags, he continuously celebrates the ideals of peace, freedom, and unity—always rendered with a distinctly pop sensibility.
In addition to his artwork, Max is known for his social and political activism, particularly in support of environmental protection, nuclear disarmament, and human rights. He has been honored at the White House and collaborated with multiple U.S. presidents, including Ronald Reagan and Bill Clinton.
Today, Peter Max's work is collected worldwide and exhibited in major museums and galleries. Despite his long career, his style remains instantly recognizable: a kaleidoscopic blend of color, spirit, and cultural symbolism. With a legacy that spans the worlds of pop art, psychedelia, and patriotism, Peter Max remains a singular figure in American visual culture—a true artist of his time and beyond.
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