Dale Chihuly Purple Philodendron Ikebana 2002 Signed Portland Press Handblown Glass

Artist: Dale Chihuly
Title: Philodendron Ikebana
Medium: Hand Blown Glass
Vase Size: 10.5" high x 5.5" x 5.5"
Element: 12.5" high overall
Leaf: 11.75" x 3.5" wide
Inscription: Signed by the artist and inscribed "PP02"
Year: 2002
Documentation: Includes Gallery Certificate of Authenticity

Dale Chihuly's "Philodendron Ikebana" reflects the artist's deep engagement with organic form, color, and technical innovation in handblown glass. The piece merges botanical inspiration with sculptural sophistication, featuring a curving, iridescent purple vase that captures and refracts light, producing subtle shifts in color and luminosity.

Emerging from the vase is a finely detailed yellow glass leaf, rendered with remarkable precision. The leaf's graceful curve and intricate veining demonstrate Chihuly's mastery in manipulating molten glass to achieve both delicate detail and dynamic movement. The composition draws upon the Japanese tradition of ikebana, in which line, balance, and spatial harmony guide the arrangement of natural forms.

The juxtaposition of the vibrant purple vessel and the luminous yellow leaf highlights Chihuly's interest in the interplay between color, texture, and form. This work underscores the expressive potential of glass as a medium, revealing how its transparency and reflective qualities can enhance sculptural presence. Signed and inscribed "PP02", the piece includes a Gallery Certificate of Authenticity, confirming its provenance within Chihuly's limited-edition studio productions. "Philodendron Ikebana" stands as a refined demonstration of the artist's ability to translate natural inspiration into enduring, three-dimensional glass sculpture.

About Dale Chihuly

Dale Chihuly (American, b. 1941) is widely recognized as one of the most innovative figures in contemporary glass art and a founding force in the American Studio Glass movement. His work has transformed glass from a primarily functional medium into one of expressive sculptural potential, bridging the disciplines of fine art, craft, and design. Throughout his career, Chihuly has redefined the role of the artist by emphasizing teamwork, experimentation, and the interplay of color, light, and transparency that characterizes his distinctive approach to glass.

Born in Tacoma, Washington, Chihuly studied interior design at the University of Washington before pursuing graduate work in glass at the University of Wisconsin–Madison under Harvey Littleton, a central figure in the Studio Glass movement. He later earned an M.F.A. from the Rhode Island School of Design (RISD), where he would go on to establish one of the country's first glass programs. A Fulbright scholarship enabled Chihuly to study at the Venini glass factory in Murano, Italy, where he observed the traditional methods of collaborative glassblowing. This experience profoundly shaped his artistic philosophy and laid the foundation for the team-based production model he developed at Chihuly Studio.

Chihuly's major series—including Cylinders, Baskets, Seaforms, Persians, Macchia, and Niijima Floats—demonstrate his continual exploration of form, texture, and color. In these works, he often challenges the limits of molten glass, allowing gravity and chance to influence the final structure. His signature techniques include the use of multiple layers of colored glass and complex applications of pattern and transparency. The Macchia series, for example, showcases irregular, vividly colored vessels with contrasting interior and exterior tones, while the Seaforms reflect organic, oceanic inspirations through their fluid silhouettes.

Beyond his individual sculptures, Chihuly is renowned for his monumental glass installations that engage directly with architecture and landscape. Works such as Chihuly Over Venice (1995–96), Jerusalem 2000, and his numerous botanical garden exhibitions worldwide reveal his capacity to transform public and natural spaces into immersive environments of color and light. These installations often consist of hundreds or even thousands of blown-glass components, unified through an overarching compositional vision.

Chihuly's art has been exhibited internationally and is included in the permanent collections of major museums, including the Smithsonian American Art Museum, the Metropolitan Museum of Art, and the Victoria and Albert Museum. His practice continues to expand the language of contemporary glass, merging aesthetic ambition with technical mastery. Through his studio's collaborative processes, Chihuly has elevated the medium to new artistic heights, securing his place as one of the foremost innovators in modern and contemporary art.