Artist: Robert Rauschenberg
Title: One More and We Will Be More Than Halfway There (from Suite of Nine Prints)
Medium: Screenprint in colors
Edition: 46/100
Size: 30.5" × 23.125"
Year: 1979
Publisher: Multiples Inc, New York
Printer: Styria Studio Inc, New York
Inscription: Signed, Dated, and Numbered 46/100 in Pencil
Documentation: Includes Gallery Certificate of Authenticity
"One More and We Will Be More Than Halfway There" is a screenprint by Robert Rauschenberg, created in 1979 as part of his Suite of Nine Prints. This editioned work, number 46 from a total of 100, is hand-signed, dated, and numbered in pencil by the artist on the lower edge, reflecting Rauschenberg's direct engagement with the print as an object of art. The print was produced by Styria Studio Inc, New York, and published by Multiples Inc, New York. Purchase of this work includes a gallery certificate of authenticity.
The composition integrates layered imagery, including text, botanical forms, a bowl, and a partial figure, combined with linear yellow and black bands. These elements reflect Rauschenberg's ongoing exploration of the interplay between image and language, a central concern in his work during this period. The dynamic layering and juxtaposition of elements create a sense of movement and complexity that is characteristic of the artist's signature style.
Rauschenberg's Suite of Nine Prints demonstrates his innovative approach to printmaking, merging the sensibilities of painting, collage, and graphic media. Works from this suite have been included in exhibitions at major institutions, and examples of Rauschenberg's print practice are represented in the permanent collections of the Museum of Modern Art in New York, the Whitney Museum of American Art, and other significant international museums.
"One More and We Will Be More Than Halfway There" embodies the inventive spirit and conceptual rigor that define Rauschenberg's contribution to late twentieth-century art, making it a notable example of his printmaking oeuvre.
About Robert Rauschenberg
Robert Rauschenberg (1925–2008) was a transformative figure in twentieth-century American art, known for his multidisciplinary practice that encompassed painting, printmaking, sculpture, and performance. Born in Port Arthur, Texas, he studied at the Kansas City Art Institute before serving in the U.S. Navy during World War II. After the war, he pursued further studies at the Art Students League in New York and at Black Mountain College in North Carolina, where he studied under Josef Albers and engaged with experimental artistic approaches that would inform his later work.
Rauschenberg emerged in the 1950s with his innovative "Combine" series, in which he integrated traditional painting and sculptural elements with everyday materials and found objects. These works challenged prevailing notions of abstraction by merging figurative imagery with nontraditional media, creating hybrid compositions that emphasized materiality, texture, and spatial complexity. By incorporating photographs, fabric, printed matter, and three-dimensional objects, Rauschenberg broke down distinctions between art and life, foregrounding the immediacy of visual experience.
During the 1960s, Rauschenberg expanded into printmaking and collaborative projects, producing lithographs, screenprints, and other works with Universal Limited Art Editions and other publishers. He also collaborated with composer John Cage and choreographer Merce Cunningham, integrating visual art with music, performance, and experimental theater. These interdisciplinary endeavors illustrate Rauschenberg's interest in process, chance, and the intersection of artistic media. His printmaking of this period reflects his experimentation with scale, composition, and imagery while maintaining technical precision.
Rauschenberg's work has been exhibited internationally and is included in major collections such as the Museum of Modern Art, New York; the Tate Modern, London; and the Centre Pompidou, Paris. He received numerous awards, including the National Medal of Arts, and his influence extends to generations of contemporary artists exploring mixed media, performance, and conceptual practice.
Through his innovative combination of media, his engagement with everyday objects, and his collaborations across disciplines, Rauschenberg expanded the definition of art in the postwar period. His practice interrogated the boundaries between abstraction and representation, material and concept, and ultimately reshaped the landscape of modern American art.
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